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Production photo from Allelujah! The scene visibly a hospital with beige walls and blue signs listing different departments plus faded old chairs. In the middle of the stage is Jacqueline Clarke in a wheelchair. Crouched on the left is Sacha Dhawan in a suit with a stethoscope around his neck. Behind the wheelchair is Deborah Findlay in a dark blue medical smock dress, and next to her is Nicola Hughes in a light blue nurse shirt and dark scrub trousers. On the right is Rosie Ede with neat brown hair and a pink floral mid length dress, she is smiling at Jacqueline.

Allelujah!

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Portrait photo of Joanne Froggatt and Robert GlenisterJoanne Froggatt and Robert Glenister. They're both in smart blazers and Joanna has a leather bag on her shoulder. They're close and facing each other. Robert has his hands on his hips. On the screen behind you can just see a projection of a stack of books.

Alys, Always

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From the ceiling many harpsicords are hung upside down falling like a waterfall. Below this Douggie McMeekin and Simon Russell Beale are dancing, Douggie has his arms in the air and is jumping

Bach & Sons

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A man (Ralph Fiennes) sat in a chair next to a large wooden desk. The stage is well lit. Ralph is leaning forward with his elbows resting on his knees and his hands out as if explaining something. He's in a blue shirt with the sleeves rolled up to the elbows.

Beat the Devil

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Two rows of wooden boxes line each side of the stage. Holly Atkins (dressed as a nun),holds Samuel Creasey (patterned jumper and plain khaki coat) by the ear. Left is Heather Forster crouching behind a box with a paper puppet of a cat facing the other two.

The Book of Dust – La Belle Sauvage

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A Christmas Carol

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A woman, Maggie Smith, sits in a wooden chair next to a round wooden table in a kitchen scene. To the left of the image there's a door leading out in to a hallway. Behind Maggie is a busy home kitchen with tiles between high and low cupboards, a sink, various utensils on the sides and decorative plates and mugs. On the table is a carafe of water and a glass, plus many books and catalogues. Maggie has short grey hair and is wearing blue trousers, a lighter blue cardigan and blue tartan scarf. In one hand resting on her legs she is holding a pair of glasses, and in the other hand is to her forehead with her elbow resting on the table.

A German Life

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Huge crowds surround a raised platform where the cast of 28 take their bows. Confetti falls on them and neon signs hang above them

Guys & Dolls

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John Gabriel Borkman

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Production photo from Julius Caeser. Taken from high up on one end of the auditorium there are crowds of standing audience members either side of wide steps that take up the length of the room. At the top of the steps is David Calder as Julius Caesar sat in a red velvet chairs, either side of him are red flags flying. We see the back of someone who stands before him.

Julius Caesar

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Gwendoline Christie and Oliver Chris dance on a platform stage, surrounded by audience members

A Midsummer Night’s Dream

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Production photograph from My Name is Lucy Barton. She stands centre stage with her hands together. There's a hospital bed to the right and a white hospital chair to the left. Behind is the large window frame filled with a projection of the view of New York, with the Empire State Building.

My Name is Lucy Barton

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Nightfall production photo. An intricate set that looks like the garden of a house in the country. The stage is covered in grass with individual pavestones down the middle in a path. There's a picnic bench where Ophelia Lovibond (who has brown, mid-length hair, and is wearing a blue and white floral dress) is sat and Claire Skinner (who has cropped ash blonde hair, and is wearing dark blue jeans and long red cardigan) leans against. There is garden furniture about like a cushioned sun lounger. Ukweli Roach (wearing dark jeans, trainers and a polo top) sits on a chair looking down. Sion Daniel Young (wearing light blue jeans, white trainers and a blue polo top) sits on the grass with his arms on his knees. Everyone looks solemn. There's a wooden canopy covered in vines and fairy lights attached to a brick house at the rear of the stage.

Nightfall

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A living room scene but it's mainly obscured by two men, Roger Allam (in his 60's) and in the foreground out of focus we can see the back of Colin Morgan (in his 30's). We can see Colin is wearing a navy polo shirt and Roger is in a brown checked shirt, knitted cardigan and blue jeans. They're both sat down and Roger is leaning forward and staring intently at Colin.

A Number

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Alex Jennings sits at a wooden table wearing a black blazer, hiw wedding band can be seen on his finger as he clenches his fist whilst speaking.

The Southbury Child

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Ralph Fiennes looks pensive stood behind a 3D paper model of New York City, with sky scrappers and large buildings. He's wearing a dark suit and waistcoat and a red tie.

Straight Line Crazy

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The scene looks like a meeting room in a modern hotel. Against the back wall are four piles of metal chairs stacked 10 plus per pile. Zoë Wanamaker sits in one of these chairs next to a long wooden table. She's lulled back in the chair as if exhausted, her legs are crossed but her head is back slightly and arms hanging by her side. There's a bottle of alcohol on the table and many empty glasses. Zoë is a a bright blue smart suit dress with matching blazer. She's wearing pale nude heels.

Two Ladies

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A close shot of Jim Broadbent sat at what would be a grand dark wooden table. He's looking back over his right shoulder with his right arm on the back of his chair, he looks surprised. He's wearing the brown neckerchief and his hair is parted and curled but grey.

A Very Very Very Dark Matter

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Faith Omole and James Corrigan embrace

White Noise

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Young Marx

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